安娜·卡列尼娜 Anna Karenina Soundtrack 插曲

Review
There are several themes in the score of Anna Karenina:sometimes appearing alone, often intersecting, their paths running alongside for a while. Those paths are shared by the
characters in the story as they walk towards or away from convention, pretence, happiness, guilt, love, fun, and even truth.
In a very important sense, the musical motifs do not represent the characters themselves I prefer to think of them as spirits, perhaps demons, unseen, signposting the way, or simply bearing witness to the events.
Most of the action, in our version of Tolstoys novel, takes place in an abandoned theatre, upon or around a stage a symbol of the make-believe life of the Russian aristocracy at the end of the 19th century. Having convention and pretence confined within the boundaries of an old theatre, hints of course to another life,
one that must exist somewhere outside the confines of that stage. The music of Anna Karenina is perched between those two worlds.
For the curious: track 8: Beroza (Birch) is a very old Russian folk song: of its many versions, the one I used talks of a young woman deceiving an older husband. for track 19 At the Opera I used Tolstoy s own words from Anna Karenina, Part II, Chapter XI --DARIO MARIANELLI 13th August 2012
Product Description
There are several themes in the score of Anna Karenina:sometimes appearing alone, often intersecting, their paths running alongside for a while. Those paths are shared by the
characters in the story as they walk towards or away from convention, pretence, happiness, guilt, love, fun, and even truth.
In a very important sense, the musical motifs do not represent the characters themselves I prefer to think of them as spirits, perhaps demons, unseen, signposting the way, or simply bearing witness to the events.
Most of the action, in our version of Tolstoys novel, takes place in an abandoned theatre, upon or around a stage a symbol of the make-believe life of the Russian aristocracy at the end of the 19th century. Having convention and pretence confined within the boundaries of an old theatre, hints of course to another life,
one that must exist somewhere outside the confines of that stage. The music of Anna Karenina is perched between those two worlds.
For the curious: track 8: Beroza (Birch) is a very old Russian folk song: of its many versions, the one I used talks of a young woman deceiving an older husband. for track 19 At the Opera I used Tolstoy s own words from Anna Karenina, Part II, Chapter XI
Dario Marianelli - 13th August 2012
如果你喜欢安娜·卡列尼娜的专辑《安娜·卡列尼娜 Anna Karenina Soundtrack 插曲》里的歌曲可以把下面的歌曲连接发给你的朋友:
1.Overture - 安娜·卡列尼娜
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2.Clerks - 安娜·卡列尼娜
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3.She Is Of The Heavens - 安娜·卡列尼娜
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4.Anna Marches Into A Waltz - 安娜·卡列尼娜
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5.Beyond The Stage - 安娜·卡列尼娜
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6.Kitty's Debut - 安娜·卡列尼娜
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7.Dance With Me - 安娜·卡列尼娜
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8.The Girl And The Birch - 安娜·卡列尼娜
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9.Unavoidable - 安娜·卡列尼娜
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10.Can-Can - 安娜·卡列尼娜
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11.I Don't Want You To Go - 安娜·卡列尼娜
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12.Time For Bed - 安娜·卡列尼娜
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13.Too Late - 安娜·卡列尼娜
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14.Someone Is Watching - 安娜·卡列尼娜
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15.Lost In A Maze - 安娜·卡列尼娜
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16.Leaving Home And Coming Home - 安娜·卡列尼娜
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17.Masha's Song - 安娜·卡列尼娜
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18.A Birthday Present - 安娜·卡列尼娜
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19.At The Opera - 安娜·卡列尼娜
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20.I Know How To Make You Sleep - 安娜·卡列尼娜
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21.Anna's Last Train - 安娜·卡列尼娜
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22.I Understood Something - 安娜·卡列尼娜
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23.Curtain - 安娜·卡列尼娜
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24.Seriously - 安娜·卡列尼娜
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